Books+maths
During the Christmas and New Year holiday of 2010-11 I spent an inordinate amount of time compiling lists from various sources of the “best books ever” (or in some cases, best books of the 20th century, or whatever). I wanted to know which books tended to be most recognized in these sorts of exercises and see about coming up with a combined ranking. The list of the top 100 books below is based on twelve other lists, which between them contained over 700 books. The method I used for calculating all of this is described below, and here. However, the overall ranking is only the beginning: having built this database of book ratings, I wanted to see what else it would be possible to get out of it:
International comparisons – how do books by authors from different countries compare? Given that most of the lists were English-language based, this favours the US and UK, but which other countries feature?
Greatest authors – adding up the scores for books by the same author gives an overall author league table.
Timeline of literary greatness – book scores by publication date. I really love this graph. The best literary decade was apparently the 1920s.
Augmented timeline – two updates to the timeline, one showing the top books by decade and the other using an alternative methodology that shows 19th century books tended to score higher.
More on books and list-making:
Some articles and notes on the difficulties of making lists.
The “books” tag on Other People’s Ideas.
I’ll be updating this part of the site periodically with further analysis and discussion.
The top 100 books:
| 1 | Pride and Prejudice | Jane Austen |
| 2 | Wuthering Heights | Emily Brontë |
| 3 | Jane Eyre | Charlotte Brontë |
| 4 | Nineteen Eighty-Four | George Orwell |
| 5 | The Great Gatsby | F. Scott Fitzgerald |
| 6 | David Copperfield | Charles Dickens |
| 7 | The Catcher in the Rye | J.D. Salinger |
| 8 | The Grapes of Wrath | John Steinbeck |
| 9 | Ulysses | James Joyce |
| 10 | Anna Karenina | Leo Tolstoy |
| 11 | Catch-22 | Joseph Heller |
| 12 | Little Women | Louisa May Alcott |
| 13 | The Lord of the Rings | JRR Tolkien |
| 14 | To Kill a Mockingbird | Harper Lee |
| 15 | Gone With the Wind | Margaret Mitchell |
| 16 | Tess Of The D’Urbervilles | Thomas Hardy |
| 17 | Lolita | Vladimir Nabokov |
| 18 | Middlemarch | George Eliot |
| 19 | Alice’s Adventures In Wonderland | Lewis Carroll |
| 20 | Don Quixote | Miguel de Cervantes |
| 21 | One Hundred Years Of Solitude | Gabriel García Márquez |
| 22 | Emma | Jane Austen |
| 23 | Moby Dick | Herman Melville |
| 24 | War and Peace | Leo Tolstoy |
| 25 | Brave New World | Aldous Huxley |
| 26 | The Adventures of Huckleberry Finn | Mark Twain |
| 27 | The Portrait of a Lady | Henry James |
| 28 | The Count Of Monte Cristo | Alexandre Dumas |
| 29 | The Bible | |
| 30 | The Life and Opinions of Tristram Shandy | Laurence Sterne |
| 31 | Great Expectations | Charles Dickens |
| 32 | Madame Bovary | Gustave Flaubert |
| 33 | Remembrance of Things Past | Marcel Proust |
| 34 | The Sound and the Fury | William Faulkner |
| 35 | A Passage to India | E.M. Forster |
| 36 | Atonement | Ian McEwan |
| 37 | Crime And Punishment | Fyodor Dostoyevsky |
| 38 | On the Road | Jack Kerouac |
| 39 | Beloved | Toni Morrison |
| 40 | Heart of Darkness | Joseph Conrad |
| 41 | His Dark Materials | Philip Pullman |
| 42 | Lord of the Flies | William Golding |
| 43 | Robinson Crusoe | Daniel Defoe |
| 44 | Animal Farm | George Orwell |
| 45 | Gulliver’s Travels | Jonathan Swift |
| 46 | The Lion, The Witch and the Wardrobe | C.S. Lewis |
| 47 | Invisible Man | Ralph Ellison |
| 48 | The Da Vinci Code | Dan Brown |
| 49 | The Wind in the Willows | Kenneth Grahame |
| 50 | To the Lighthouse | Virginia Woolf |
| 51 | A Prayer For Owen Meany | John Irving |
| 52 | Mrs. Dalloway | Virginia Woolf |
| 53 | Frankenstein | Mary Shelley |
| 54 | Tom Jones | Henry Fielding |
| 55 | Winnie the Pooh | AA Milne |
| 56 | Clarissa | Samuel Richardson |
| 57 | Rebecca | Daphne du Maurier |
| 58 | The Hitch Hiker’s Guide to the Galaxy | Douglas Adams |
| 59 | Things Fall Apart | Chinua Achebe |
| 60 | The Hobbit | JRR Tolkien |
| 61 | The Woman In White | Wilkie Collins |
| 62 | Inkheart | Cornelia Funke |
| 63 | The Scarlet Letter | Nathaniel Hawthorne |
| 64 | The Name of the Rose | Umberto Eco |
| 65 | Native Son | Richard Wright |
| 66 | Persuasion | Jane Austen |
| 67 | Faust | Johann Wolfgang von Goethe |
| 68 | The Magic Mountain | Thomas Mann |
| 69 | A Tale Of Two Cities | Charles Dickens |
| 70 | Charlotte’s Web | E.B. White |
| 71 | Slaughterhouse Five | Kurt Vonnegut |
| 72 | Go Tell it on the Mountain | James Baldwin |
| 73 | Brideshead Revisited | Evelyn Waugh |
| 74 | The Trial | Franz Kafka |
| 75 | For Whom the Bell Tolls | Ernest Hemingway |
| 76 | The Shadow of the Wind | Carlos Ruiz Zafon |
| 77 | Harry Potter and the Goblet of Fire | JK Rowling |
| 78 | The Stranger | Albert Camus |
| 79 | The Big Sleep | Raymond Chandler |
| 80 | Les Miserables | Victor Hugo |
| 81 | Harry Potter And The Prisoner Of Azkaban | JK Rowling |
| 82 | The Little Prince | Antoine De Saint-Exupery |
| 83 | The War of the Worlds | H. G. Wells |
| 84 | Jude the Obscure | Thomas Hardy |
| 85 | The Brothers Karamazov | Fyodor Dostoyevsky |
| 86 | The Color Purple | Alice Walker |
| 87 | A Portrait of the Artist as a Young Man | James Joyce |
| 88 | USA | John Dos Passos |
| 89 | As I Lay Dying | William Faulkner |
| 90 | Sons and Lovers | D. H. Lawrence |
| 91 | Journey to the End of the Night | Louis-Ferdinand Celine |
| 92 | The Old Man and the Sea | Ernest Hemingway |
| 93 | The Sun Also Rises | Ernest Hemingway |
| 94 | A Clockwork Orange | Anthony Burgess |
| 95 | Bleak House | Charles Dickens |
| 96 | Harry Potter And The Philosopher’s Stone | JK Rowling |
| 97 | Dr Jekyll and Mr Hyde | Robert Louis Stevenson |
| 98 | Far From The Madding Crowd | Thomas Hardy |
| 99 | The Hound of the Baskervilles | Arthur Conan Doyle |
| 100 | Nostromo | Joseph Conrad |
The original lists and methodology:
The table shows the 12 lists that were included, their country of origin, publication date, coverage and brief methodology. You can also click on any of the lists to see it at the source!
| Name | Country | Date | Coverage | Methodology |
| BBC Big Read | UK | 2003 | All time | Poll |
| TIME 100 | USA | 2005 | 1923-2005 | Critics’ selection |
| World Book Day poll | UK | 2007 | All time | Poll |
| Norwegian Book Club | Norway/International | 2002 | All time | Survey of 100 authors |
| Observer critics | UK | 2003 | 1600 onward | Critics’ selection |
| Modern Library | USA | 1998 | 20th Century | Critics’ selection |
| Telegraph | UK | 2009 | All time | Critics’ selection |
| Le Monde | France | 1999 | 20th Century | Poll based on critics’ selections |
| Librarians | USA | 1998 | All time | Survey of librarians |
| Radcliffe Library | USA | 1998 | 20th Century | Critics’ selection |
| German Big Read | Germany | 2004 | All time | Poll based on critics’ selections |
| New York Public Library | USA | 1995 | 20th Century | Critics’ selection |
For more lists, I can strongly recommend this page by Robert Teeter, which compiles a great many lists of both Western and Eastern classics.
Scoring: Some of these lists gave a ranking from 1 to 100. In those cases, the top book got 100 points, second got 99, and so on all the way down to 1 point for book number 100. For unranked lists, every book appearing was awarded 50 points. Based on this, every book included in any of the lists was given a total score from across all the lists. I then checked for each book how many of the lists it was eligible for. For example, a book published in 1950 was eligible for all 12, whereas a book published in 1850 was only eligible for the 6 “all time” lists, plus the Guardian’s 1600 onward one. Books published after 200o also had limited opportunity to be included, as many of the lists were compiled in the latter half of the 90s. Therefore, each book’s total score was divided by the number of lists it could have featured on, i.e. Pride and Prejudice’s total score of 523 was divided by 7 to give it 75 overall, while The Great Gatsby’s apparently superior score of 698 ended up at 58 as it was divided across all 12 lists.
Methodology issues: I think the two main issues with the method are the selection of lists and the way the points were awarded. If anything, I should have collected a larger number of lists from a greater variety of sources. If you follow the Robert Teeter link above you’ll see that there are many many lists to choose from and you could argue that my selection is kind of arbitrary. In a rough way, I wanted to include a mixture of academic and popular selections, so I didn’t select lists like the St John’s College one, but you could argue it both ways. Regarding the points, I think I was too mean on the books at the bottom of the ranked lists. According to the methodology, being considered the hundredth best book of all time (1 point) is almost equivalent to being out of the running completely (0 points). To illustrate why this is a problem, take Midnight’s Children versus Slaughterhouse Five. As late 20th century books, both were eligible for all 12 lists; Midnight’s Children appeared on 8 and Slaughterhouse 5 on 4. You’d have thought Midnight’s Children would win by knockout, but two very positive scores from American lists gave Slaughterhouse 5 a decent score for 71st place overall, while Midnight’s Children ended up in 100th place on three separate lists and faded to 128th place. If list rankings had been ignored and points awarded purely for presence on lists, Midnight’s Children would have been in 21st place overall. This is probably an injustice; a future edition of the list may give greater weight to list presence.

I’m quite surprised at the Bible’s position. I’d say higher just for endurance and impact. But of course, I’m waiting for the methodology?
Yah, tricky one. Some of the lists restricted themselves to novels, which wasn’t accounted for in the weighting.
Suggestion for another list – an independent study will need to be carried out. How many of these books were ruined in British classrooms?
Ha.